German Northern Renaissance Painter, ca.1470-1528,was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century. Only ten paintings (several consisting of many panels) and thirty-five drawings survive, all religious, although many others were lost at sea in the Baltic on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings were attributed to Albrecht D??rer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France). The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he had reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grunewald; this was a mistake by the 17th-century writer, Joachim von Sandrart, who confused him with another artist. He is documented as "Master Mathis" or "Mathis the Painter" (Mathis der Maler), and as using as surname both Gothart and Neithardt - this last may have been his surname, or more likely that of his wife. He was probably born in Wurzburg in the 1470s. It is possible he was a pupil of Hans Holbein the Elder. From about 1500 he seems to have lived at Seligenstadt, when not working elsewhere. His first dated painting is probably in Munich, dated 1503 on a much later note which apparently records an older inscription. From about 1510 to 1525 he served in the Rhineland as court painter,  Related Paintings of Matthias Grunewald :. | St Anthony | Nativity | The Lamentation | The Crucifixion, central panel of the Isenheim Altarpiece. | St Anthony |
Related Artists:
Meckel, Adolf von
German, 1856-1893
Gustave Brion
1824-1877 French French painter and illustrator. His family settled in Strasbourg in 1831 and placed him in the studio of the portrait and history painter Gabriel-Christophe Gurin (1790-1846) in 1840. He then earned his living mainly by teaching drawing and copying paintings. In 1847 he successfully submitted his first work to the Salon: Farmhouse Interior at Dambach (untraced). In the summer of 1850 he moved to Paris, where he took a studio in a house shared by Realist artists. Brion exhibited regularly at the Salon: in 1852 The Towpath (untraced) was bought by the de Goncourt brothers; and in 1853 he showed the Potato Harvest during the Flooding of the Rhine in 1852 (Nantes, Mus. B.-A.), in which the influence of Gustave Courbet and Jean-Francois Millet (ii) can be seen in the Alsatian peasant figures.
Francesco del Castagno
1446-1497